Two jazz legends were celebrated in sets featuring the delightful soprano saxophonist Jim Galloway and the grand old guitarist Bucky Pizzarelli at this year’s Norwich Jazz Party.
First up was Djangology, a Howard Alden-led tribute to the ever-popular guitarist Django Reinhardt. As you’d expect from a Djangly set, this was a joy from start to finish – and it gave all the front-liners in the sextet a chance to shine, not least Alden himself who dazzled on such finger-busters as Nagasaki and Rose Room.
Tenor saxophonist Dan Block contributed a sublime and sultry bossa nova version of Insensiblement (which he’d never played before), while Bucky Pizzarelli’s take on Nuages was a tour-de-force performance. Swaying from side to side and looking like the Pied Piper as he played his soprano sax, Jim Galloway entranced with his exquisite solo on the languorous Manoir de Mes Reves.
Galloway took centre stage the next night for his sequel to last year’s Sandy Brown set. The 2010 Sandy Brown tribute set was every bit as thrilling as the 2009 one. Galloway was in his element, and no wonder: Brown’s music is nothing if not uplifting.
It was a treat to hear such unusual, rousing melodies as Africa Blues and Everybody Loves Saturday Night being played live, and with such style and good humour. And Galloway did a great job of sounding like himself while evoking the quirkiness and spikiness of the late clarinettist’s playing.
He was undoubtedly spurred on by the enthusiasm and talent of the rest of the band. Randy Reinhart was superb on trumpet duties; his hot but unfussy style of playing perfectly suited to the Brown sound. Bucky Pizzarelli resumed his role from last year, while trombonist Roy Williams brought an authentic British touch to the band and seemed – like everyone else in the room – to be having great fun with the material.
God, I wish someone had recorded it for YouTube. Surely it’s time Galloway got to record this stuff with one – or both – of his Norwich line-ups. Bagsy a seat in the recording studio ..