FAPY LAFERTIN & SWING 2010, THE HUB
Many guitarists try to play like the legendary Django Reinhardt, but the great Fapy Lafertin, who shares a Belgian gypsy background with his hero, is probably the only one who sounds exactly like him – and sounds like him in a completely natural and unforced way.
For Sunday afternoon’s performance, Lafertin – whose one-time swashbuckling look has been replaced with a more avuncular appearance – was reunited with the Edinburgh band which – as its leader, John Russell, explained – was formed 30 years ago as a direct result of Lafertin’s sensational performance at the Edinburgh Jazz Festival.
Which accounts for the laid-back rapport between Russell and Lafertin. The band’s usual solo guitarist, Stephen Coutts, had to make way for the guest star – which made for a slightly solo-heavy opener, Djangology, as both were featured. But thereafter, everything worked as if they had been playing together for years. The dependably excellent clarinettist Dick Lee seemed particularly inspired by the presence of Lafertin, and their unison playing at the start of many of the faster numbers was terrific. By the time they got to the thrillingly fast encore, China Boy, the energetic Lee was practically bouncing off the walls.
However, it was the ballads which brought the house down. “Oh, wow!” exclaimed one woman, unaware that she was thinking out loud, as Lafertin brought the dreamy ballad Manoir de mes reves, to a spectacular climax. She was only echoing the thoughts of most of the audience, though, which was blown away by Lafertin’s uncanny musical resemblance, in every way (from the notes he chose to the manner in which he played) them) to one of the giants of jazz.