What Bix Means to Me: Jim Galloway

(c) Alison Kerr, 2011

The Scottish-born, Toronto-based soprano saxophonist has always loved the legendary Bix Beiderbecke‘s “beautiful tone and great melodic and harmonic sense” – and first heard his music as a youngster listening to BBC radio.

He was lucky enough to get to know older musicians, such as the clarinettist Pee Wee Russell, who were colleagues of Bix during his heyday. Indeed, Jim paid tribute to both during this year’s Norwich Jazz Party when he played I’d Climb the Highest Mountain, a beautiful ballad which Russell told Jim he liked to play “because it was a favourite of Bix’s”.

Typically, Jim has a funny Bix-related story: Β “A few years ago I was in LA, and Betty O’Hara, a very good horn player and singer was also on the gig. One morning, I came out of the elevator just as Betty came out of another one just opposite. We said our hellos, and then Betty said: ‘Did I tell you that I bought a parrot?’ I said that she hadn’t mentioned it so then she said: ‘Guess what his name is?’ I had no idea, and then she hit me with it … ‘Beaks Bite or Peck!’

“Two of my favourite tracks are Singin’ the Blues (it was Eddie Higgins’s favourite too) and, for great hot ensemble playing, the first chorus of San, recorded in 1928 with Paul Whiteman. And we must not forget his remarkably modern piano compositions – In a Mist, In the Dark, Flashes, Cloudy and Candlelights.”

Tomorrow: Jon-Erik Kellso.

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