Jazz on Film: No One But Me

One of the highlights of the jazz calendar in Scotland this year (if you limited it to Glasgow, it would probably be my only personal highlight) was the pair of concerts given by the great Annie Ross at Glasgow’s Oran Mor back in February.

Ross was in town to attend the premiere of No One But Me, a Scottish-made documentary about her, at the Glasgow Film Festival. The screening was sold-out and it was a delight to watch the film in the company of its subject and so many of her friends and family – though the Q&A session afterwards was not what it would have been had the presenter known anything about jazz.

Very evocative, entertaining and insightful, with some great music and clips (not least some rarely seen footage of Ross as a child star) and featuring some very frank interviews with Ross herself, as well as with pals and colleagues, No One But Me is  must-see.

It does, however, have the air of an “authorised biography” about it, as it very much reflects Ross’s point of view and the way she wants her life and life choices to be seen. In fact, there’s probably another, unofficial, biographical documentary to be made – featuring the part(s) of her life that she didn’t want to relive, and the people who weren’t interviewed.

Anyway, if you live in Scotland you can make up your own mind as the film is screening at the Glasgow Film Theatre on Tuesday 16 and Wednesday 17; at Eden Court Cinema, Inverness on October 28 and at MacRobert Cinema, Stirling on October 31 – all as part of the Luminate Festival.

Here’s a reminder of how the grande dame of the jazz scene sounded on those two magical evenings in Glasgow, in the company of Tardo Hammer (piano) and Andy Cleyndert (bass).

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