Madeleine Peyroux, Ronnie Scott’s, London, Monday April 29th
She made us laugh; she made us cry … and she made us all sit up and hang on her every word. Madeleine Peyroux’s opening night at Ronnie Scott’s was a knock-out – a brilliant blend of the hybrid sounds of her new album, The Blue Room, and songs from her earlier records.
Standing self-consciously in the middle of a half-circle of musicians – a string quartet, a rhythm section plus guitarist Jon Herington – Peyroux looked, initially, a little overawed and nervous as she launched into the opening track from The Blue Room, Take These Chains. But the strange and seductive combination of her throaty, note-bending vocals and the ethereal sound of the strings arrangement was an instant winner – and she seemed to relax as the song went on; even going so far as to tell stories and crack jokes between numbers – and clearly having fun as she visited rock ‘n’ roll territory on Bye Bye Love.
It was certainly a far cry from the Peyroux many of us experienced in her earlier years, when she would stand apologetically in front of an audience and look distinctly sheepish as she sang – as if she might get found out at any minute.
Mind you, back then the voice was a lot less assured sounding. One thing that was particularly striking on Monday was how commanding a musical presence Peyroux can have; especially when she plumbs the depths of her vocal range as she did on a magnificent (and simply sung) You Don’t Know Me, a powerful and gutsy I Can’t Stop Lovin’ You – and on Bird on the Wire, one of the songs which was much more affecting in a live performance than on the album.
On all of those stand-out numbers, Peyroux held the adoring capacity crowd in her sway as she gently swivelled on the spot, working the room, locking eyes with punters and wringing her hands in a Piaf-like manner. Her attention to lyrics, and the emotion she invested in them, had listeners hanging on her every word – especially on the glorious Guilty (which brought out the Bessie Smith in her), You’re Gonna Make Me Lonesome When You Go and Desperados Under the Eaves, all poetic and all a joy to hear as they were channelled through the Peyroux prism…
There were the inevitable moments of un-easy listening – Dance Me to the End of Love (which I caught at the end of the first show of the evening) had a nightmarish quality thanks to Peyroux’s slightly tortured vocals, while Don’t Wait Too Long’s melody was almost distorted beyond recognition, leaving only the lyrics as clues to what the song was. But these uncomfortable, unsettling moments didn’t spoil the overall effect – of a night well worth remembering.
Madeleine Peyroux, Ronnie Scott’s – Monday April 29th, second show
Take These Chains
Don’t Wait Too Long
Bye Bye Love
You Don’t Know Me
Changin’ All Those Changes
Half the Perfect World
You’re Gonna Make Me Lonesome When You Go
Bird on the Wire
I Can’t Stop Lovin’ You
Dance Me to the End of Love
I Hear Music
Desperados Under the Eaves