Louis Armstrong’s first appearance in a feature film – 1936’s Pennies From Heaven – found him cast as a trumpet-playing chicken thief who performs at the opening of a haunted house style nightclub .. The great Marty Grosz, who also recorded a terrific version of this song, used to offer audiences a brilliantly funny potted version of the ridiculous plot of this particularly silly film – and it was much more entertaining than the movie itself. But this clip – the perfect Hallowe’en clip for jazz fans – is essential viewing. Louis vanquishes the skeleton with his high notes, while Lionel Hampton is featured on drums!
Monthly Archives: October 2013
Scottish National Jazz Orchestra: Jazz Toons & Screen Classics, Royal Conservatoire of Scotland, Glasgow, Sunday October 27th ***
Heeding the publicity’s suggestion to bring the offspring to Sunday evening’s concert by the SNJO turned out, fairly early on, to be another yet example for the ‘Seemed Like a Good Idea at the Time’ chapter of the parenting memoirs. After all, a programme of music from such family favourites ranging from classic cartoons to movie blockbusters played by a young, dynamic band sounded just the ticket for music-mad youngsters. And indeed, when SNJO director Tommy Smith announced the titles featured in the opening medley, it was the nine-year-old critical support team beside me whose “yaaaaas!” turned heads at the mention of Superman.
The main problem was the arrangements: if you didn’t warm to Pino Jodice’s reworkings of the tunes then you’d pretty much had it for the evening, as he was responsible for most of them. The most enjoyable numbers were the ones in which the melody didn’t get swamped by the arrangement, and which stayed closest to the original versions – Mahna Mahna, from The Muppets (complete with hilarious Animal impersonation by drummer Alyn Cosker), The Flintstones and, especially, the Star Trek Theme.
That last-mentioned featured the dazzling vocals of guest star Jacqui Dankworth and went down so well that it was repeated as an encore later, after a glorious Somewhere Over the Rainbow, one of only a handful of songs in which Dankworth’s sublime voice was showcased rather than seeming to be in competition with the overbearing arrangement being played by the band.
First published in The Scotsman, Tuesday October 29