Saturday’s weather proved ideal for the first full day of the fourth Leith Jazz & Blues Festival: the sun shone and the forceful winds proved handy in powering punters from venue to venue – especially helpful this year when some of the venues in this expanding festival were relatively far flung.
The evening belonged to singers – indeed, the night’s proceedings were pretty much carved up by three well-known Edinburgh vocalists, and it was impossible to get round all three – but before that, the place to be was new venue The Scotch Malt Whisky Society where even standing room was at a premium for the festival debut of Trio AAB which served an uplifting blend of funky beats, catchy tunes and a dash of musical anarchy in the sort of gentleman’s club surroundings that Bertie Wooster would not look out of place in.
Trio AAB’s was an attentive audience which had clearly come specially to hear the music; over at Sofi’s Bar, the gently swinging bass-guitar duo of Ed Kelly and David Series didn’t have such luck – and struggled to be heard over the chatter of regulars. It was the same story with the evening gigs that took place in restaurants – rather than pubs or bars. Diners were there to dine; the music was incidental unless you managed to secure a seat within listening distance of the band.
At Credo, singer Becc Sanderson was good-natured despite her soft voice and Steve Hamilton’s classy keyboard playing being pretty much drowned out by the ambient dining and chatting noise. Fellow singer Lorna Reid and the afore-mentioned David Series fared better at the Italian restaurant Anfora – partly due to the lay-out of the place and the fact that their repertoire comprised more uptempo material and songs, notably her country-style Killing the Blues, on which they both played guitar.