Tag Archives: Allon Beauvoisin
Birth of the Cool, George Square Piccolo *****
Ken Mathieson’s Classic Jazz Orchestra, Glasgow Art Club, Thursday November 15th ****
We fans of what is rather dismissively described as “mainstream” jazz (which is to say jazz that swings, is tuneful and usually has at least a bare-bones structure) are often made to feel like a minority group; the uncool kids on the jazz block who get torn to shreds if we stick our heads above the parapet and dare to venture a negative opinion about one of the current sacred cows.
The irony is that, since it encompasses the history of jazz, this minority music represents the majority of jazz genres and possibilities. Which is why Thursday night’s concert by Ken Mathieson’s excellent Classic Jazz Orchestra was almost entirely different to the one it gave during the Edinburgh Jazz Festival in July. Back then the focus was on the early “Kings of Jazz” – Louis Armstrong, Bix Beiderbecke and Jelly Roll Morton – and their music from the 1920s and 1930s, but on Thursday, it was the middle period of jazz which was most revisited in repertoire terms.
Revisited – and refreshed. The joy of the CJO is that it is not slavishly recreating original recordings or trying to capture a period feel. It mixes numbers from across the decades – in much the same way as we do with our record collections – but they’re channelled through the prism of Mathieson’s own arrangements, or the original ones which he will undoubtedly have tweaked to suit this top-notch band.
Among the many gems served up in style on Thursday were numbers by Cannonball Adderley, Barney Bigard and Bob Brookmeyer but the absolute stand-outs were Gerry Mulligan’s Out Back of the Barn, which showcased the elegant baritone saxophone of Allon Beauvoisin, and two showstopping numbers by Antonio Carlos Jobim.
First published in The Herald, Monday November 19th
Brass Jaw, Recital Room, City Halls, Glasgow, Sunday December 4 ****
You’ve got to hand it to Brass Jaw. This Glasgow-based jazz quartet is still in its infancy but it has already established itself as an award-winning outfit – and one which has a loyal following. Which would explain why the Recital Room was packed out on a particularly miserable Sunday night in December.
The Scottish jazz world’s answer to the Fab Four seemed determined to leave no listener unconverted: after kicking off with a slow and solemn Have Yourself a Merry Little Christmas they exploded into life, like a New Orleans funeral band, with a freewheeling and dynamic take on Comin’ Home Baby, which not only created an instant party atmosphere but set out the template for the way this unique band works. Baritone saxophonist Allon Beauvoisin – a one-man rhythm section – is the glue that holds the sound together, while his bandmates, trumpeter Ryan Quigley and saxophonists Paul Towndrow and Konrad Wiszniewski, bring colour and theatricality to the proceedings – along with a hint of Marx Brothers-like mayhem.
On tune after tune – notably such funky numbers as Joe Zawinal’s Walk Tall and Horace Silver’s Senor Blues – in the first half of Sunday’s concert, it was impossible to resist the infectious joie-de-vivre emanating from this lively band. During the second set, a series of samey-sounding and occasionally rather turgid original compositions threatened to sap the party spirit but a joyous Sunny, played as an encore while the group snaked its way around the room, ensured that the night ended on a high.
* First published in The Scotsman, Tuesday December 6