Annie Ross: Four Classic Albums Plus (Avid Jazz)
CDs of Annie Ross’s original albums have been difficult to get hold of in recent years so this two-disc set – which comprises four complete, classic 1950s LPs (Annie By Candlelight, Gypsy, A Gasser! and Sings a Song With Mulligan!) plus an EP (Nocturne for Vocalist) and six other tracks from the same era – is an absolute gem. Her cool yet sultry vocals are particularly beautifully showcased on the intimate British recording Annie By Candlelight, but she more than holds her own alongside jazz legends Gerry Mulligan, Zoot Sims and Stan Getz on the bigger band albums.
Ken Peplowski & Alan Barnes: Happy Reunion (Woodville Records)
British multi-instrumentalist Alan Barnes doesn’t seem to do bad choices – in terms of repertoire, line-up or performance. And this new CD, a follow-up to last year’s terrific Doodle-oodle, finds him reunited with fellow clarinettist and saxophonist Ken Peplowski – this time within a larger band. The two headliners’ rapport shines through, and both play at the top of their game on a selection of tracks from the back catalogues of Ellington, Strayhorn and the great altoist Johnny Hodges whose music is a particular delight to hear.
Claire Martin & Richard Rodney Bennett: Witchcraft (Linn)
This duo’s 2005 album, When Lights Are Low, revealed Sir Richard Rodney Bennett (piano and vocals) and Claire Martin (vocals) to be the Fred and Ginger of the jazz world: while he gives her class, she gives him sex appeal. The same applies to this new collection of songs by composer Cy Coleman – though the distinctions are a bit more blurred. Coleman’s music isn’t the most memorable, but the witty, sophisticated lyrics of his collaborators – especially the Dorothy Parker-like Carolyn Leigh – are a joy to hear, and Bennett and Martin deliver them with relish and style.
Nova Scotia Jazz Band: If I Had You (C-Side Records)
This Edinburgh quartet is only two years old but its classy, uplifting sound suggests that its members have been playing together for much longer. This is their third album and it’s a wee gem of upmarket traditional jazz. The burnished tone of Mike Daly’s cornet complements the spikier, Pee Wee Russell-esque clarinet played by John Burgess when he’s not on sax duty. Only possible complaint is that it would have been nice to hear more lesser-played numbers and fewer trad staples.