Louis Armstrong’s first appearance in a feature film – 1936’s Pennies From Heaven – found him cast as a trumpet-playing chicken thief who performs at the opening of a haunted house style nightclub .. The great Marty Grosz, who also recorded a terrific version of this song, used to offer audiences a brilliantly funny potted version of the ridiculous plot of this particularly silly film – and it was much more entertaining than the movie itself. But this clip – the perfect Hallowe’en clip for jazz fans – is essential viewing. Louis vanquishes the skeleton with his high notes, while Lionel Hampton is featured on drums!
Tag Archives: Lionel Hampton
Carol Sloane: We’ll Meet Again (Arbors Records ARCD 19400)
Dearest Duke, Carol Sloane’s last CD on Arbors, was a glorious affair which showcased her breathy, lyrical voice with just piano and Ken Peplowski on clarinet or tenor sax. Peplowski is reunited with Sloane on this collection of love songs and once more his playing is a dream, whether he’s accompanying or soloing. Veteran guitarist Bucky Pizzarelli and bassist Steve LaSpina add their stylish playing to the mix, while an uncredited Aaron Weinstein (violin) guest-stars on a few tracks. One of the best CDs of the year so far…
Stan Getz All-Star Groups: Three Classic Albums Plus (Avid Jazz AMSC997)
It’s difficult to get beyond the first disc in this double CD: it’s so sensational. Stan Getz’s 1957 encounter with the Oscar Peterson Trio is one of the must-have jazz albums and features tour-de-force performances all round. Getz blows I Want to Be Happy into smithereens, aided and abetted by the driving piano of Peterson, while the ballads are nothing short of sublime; Getz’s tenor at its most tender and beguiling. The other classic albums included are the 1955 Hamp and Getz (with vibes legend Lionel Hampton) and Jazz Giants, a superb all-star LP also from 1957.
Duo albums are a rare treat – especially when they’re as beautifully executed as this one, which was recorded in 1975. Pianist-composer Dave Brubeck and alto saxophonist Paul Desmond had the idea for the album when they played some duets together on a jazz cruise that year, and after listening to the results which had been recorded by the BBC (one of those original tracks is included here), they resolved to make an LP on dry land. Showcased in this setting, Desmond’s melancholy alto has an ethereal quality, while Brubeck’s piano is suitably haunting.
John Bunch: Do Not Disturb (Arbors Records ARCD 19403)
The much-loved American jazz pianist John Bunch died in March at the age of 88. This wonderful trio album (with guitarist Frank Vignola and bassist John Webber) is his final CD. Recorded late last year, it gives little evidence of Bunch’s frailness as he swings energetically and as gracefully as ever through a typically diverse selection of numbers ranging from bop tunes to lesser-played Duke Ellington. Stand-outs include the Duke’s title tune, Sonny Rollins’ Doxy and Dave Brubeck’s In Your Own Sweet Way.