Remembering Alex Welsh, Spiegeltent St Andrew Square ****
For the second consecutive year, the evening slot on the last day of the jazz festival– or as bandleader John Burgess called it “the fag-end of the festival” – became a jovial celebration of the music of the much-loved Scottish trumpeter and legend of British jazz who died, aged 52, in 1982.
Sunday’s concert reunited the line-up from last year, and was led by the afore-mentioned clarinettist/saxophonist and amiable host Burgess whose jokey patter added to the festive atmosphere. Indeed, from the energy expended by the entire seven-piece band in the opening number, it seemed as if the musicians had started the party without us: they were already on fire when they launched into a rousing Rose Room – there was no gradual build-up. No sooner had a clarinet-wielding Burgess played along with the front line on the melody of Rose Room than he was blowing the sax on the first solo. This was a high-octane concert from the get-go.
Particularly impressive – as ever – was the human dynamo Enrico Tomasso, who, at his best is an irrepressible bundle of musical energy when he’s playing this sort of Chicago-style jazz – and whose solos seemed to explode out of him, notably on an exhilarating After You’ve Gone. Burgess was being facetious when he described him as “quite simply the finest in his price range” but Tomasso is undoubtedly the best when it comes to contemporary trumpeters with the Louis Armstrong influence to the fore.
And, of course, there were also terrific contributions from the great, ever-nimble and ever-lyrical trombonist Roy Williams, who, as a veteran of Welsh’s band, brought the stamp of authenticity to the proceedings.
* First published in HeraldScotland on Monday July 25th
Remembering Alex Welsh, Tron Kirk ****
Anyone who knew Alex Welsh, the Edinburgh-born trumpet star who died in 1982, and who was at Sunday evening’s tribute concert, will have been heartened by how well he is still remembered and how he inspired arguably the best concert of the final days of this year’s jazz festival.
Of course it helped that the septet comprised two members of Welsh’s famous band – the English trombone star Roy Williams and guitarist/banjoist Jim Douglas. The eloquent Williams, an old favourite of Edinburgh audiences, in his introduction to a gorgeous Cole Porter rarity entitled You Are Everything I Love, told the packed house: “It’s wonderful to be doing this – and quite emotional too, because we had some great times. You may have noticed that we were five minutes late starting the gig – that was a tradition of the Alex Welsh band!”
Explaining that it’s only recently that he has come to appreciate how good the band sounded, Williams described the day-to-day reality of playing the same tunes with the same guys every night. Trumpeter Enrico Tomasso, who was just 11 when he met Welsh, paid verbal and musical homage in style: a veritable jazz dynamo, he was in tremendous form throughout – as was the rest of the front line, which included ringmaster John Burgess (clarinet/saxophone) and which made even the oldest of old warhorses sound fresh, energetic and exciting.
Burgess may not have had the firsthand experience of encountering Alex Welsh – he didn’t say – but it was clear that it was his love of the band’s recordings which prompted this project, and so much fun was had by all that we can undoubtedly expect a reunion in the not-too-distant.
* First published in The Herald on Monday, July 27th