With the right combination of musicians, the duo can be THE most satisfying of jazz line-ups – and this CD is a perfect example. Martin Taylor (guitar) and Alan Barnes (clarinet) have created a beautiful, intimate, album which showcases their rapport and mutual respect and plays out like a series of conversations – some cosy chats, some playful banter and some lively debates. And you don’t have to be a fan of Taylor’s guitar monologues to get a huge kick out of his lovely, warm, lyrical playing on this CD. A joy.
Two early 1960s albums from the underrated tenor and alt saxophonist Sonny Stitt appear on this CD. Now! (1963) finds him asserting himself mostly on the tenor, undoubtedly to shake off the Charlie Parker comparisons, but, with his driving, lyrical style and the Bird-like improvisations, the influence is still very evident. On Salt and Pepper (1964), accompanied by an almost identical classy trio (led by pianist Hank Jones), he goes head to head with the tenor man Paul Gonsalves with memorable results.
An instrumental album paying tribute to a lyricist may seem a bit odd but American tenor saxophonist has a personal connection to Johnny Burke, the writer of such standards as It Could Happen to You, Pennies From Heaven and Like Someone In Love. All of these are included in this lovely CD which finds the eloquent tenor man well-matched with the elegant pianist Sportiello. Their pairing is magic on the ballads especially, and it’s a rare treat to hear some of the seldom played songs Burke co-wrote for Paramount movies as well as such “new” finds as I Wish You Needed Me.
The fourth CD from Scotland’s swinging-est purveyors of hot, Chicago-style, jazz is another wee cracker. This time, the original quartet, headed by cornettist Mike Daly and clarinettist/saxophonist John Burgess, is joined by their regular special guest Brian Kellock on piano – and the results are superb, notably such lesser-played numbers as Shim Me Sha Wabble and That Da Da Strain. Only possible quibble? I’ll Be a Friend With Pleasure is such a pretty, poignant tune, it would be a treat to hear what Daly and Kellock could do with it at a slower speed.
The quartet of 1950s/1960 LPs featured on this double CD showcases almost every one of jazz legend Benny Carter’s talents: as composer, arranger, alto saxophonist, tenor saxophonist and trumpeter. These LPs also find him in the top-notch company of the likes of Ben Webster, Andre Previn, Jimmy Rowles, Frank Rosolino and Barney Kessel – all of whom play on the opening album, the terrific Jazz Giant – and Earl Hines. It’s perhaps not essential Carter – but a superb snapshot of the great man in his (very long) middle period.