Tag Archives: Sidney Bechet

CD Recommendations

Scott Hamilton & Alan Barnes: Hi-Ya (Woodville Records)

What a superb album this is. The second horn-to-horn encounter between saxophonists Scott Hamilton and Alan Barnes on the Woodville label, it finds both musicians on top form on a selection of mostly Johnny Hodges tunes. Every track’s a winner but among the highlights are Hamilton’s rich, laidback tenor solo on First Klass, which contrasts beautifully with Barnes’s alto; their thrilling musical tug-of-war on The Jeep is Jumping; David Newton’s funky, understated piano solo on the lovely Broadway Babe, and Barnes’s powerhouse performance on June’s Jumpin’.

The Warren Vache-John Allred Quintet: Top Shelf (Arbors Records)

I must confess to being familiar with the music on this CD before it was released: I wrote the liner notes earlier this year. And was thrilled to do so, as this is a first-rate album which showcases American cornet star and his co-leader, trombonist John Allred – musical partners who couldn’t be better matched. Both players distill influences from the classic, swing and bop eras and, in each other’s company, revel in a rare chance to flex their bop muscles on tunes by the likes of Blue Mitchell (a particular favourite of both) and Cannonball Adderley.

Nat “King” Cole: The Forgotten 1949 Carnegie Hall Concert (Hep Β Records)

A Carnegie Hall concert headlined by Nat “King” Cole and his Trio and Woody Herman and his Thundering Herd took place in November 1949, but until very recently, it was assumed that there was no recording of it. Then the Cole set was discovered – and it’s presented here (on the Edinburgh-based label, Hep) for the first time. Cole’s trios were among the greatest in jazz – and the most influential – and in 1949 he was at the peak of his powers. His playing is terrific, the band is really cooking, and his singing is a joy..

Evan Christopher’s Django a la Creole: Finesse (lejazzetal/Fremeaux & Associes)

This sublime CD is one of my favourites of the year so far – and I love it even more now than when I initially reviewed it in July. What makes this Django outfit stand out from the many others on the scene is its Creole twist: Evan Christopher’s sweet and swinging Sidney Bechet-inspired playing blends stylishly with the familiar Reinhardt sound (of two guitars plus bass). Among the numerous highlights of this uplifting album are Bechet’s Passaporto ao Paraiso, Hoagy Carmichael’s Jubilee and two numbers associated with the trumpeter Rex Stewart, who, of course, recorded with Monsieur Reinhardt in the 1930s.

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Edinburgh Jazz Festival: Django a la Creole

Django a la Creole, The Hub
****
The Django Reinhardt strand of the Edinburgh Jazz Festival came to an end on Saturday evening with a knockout performance by one of the most exciting Django-inspired groups. Django a la Creole has a Django-style line-up of – two guitars, bass and clarinet – but its accomplished lead guitarist, David Blenkhorn, doesn’t try to sound like the great gypsy jazz pioneer. And nor is its repertoire your typical Django one: this band, as the name suggests, dishes up its tunes with a variety of exotic flavours and rhythms. Some of the tunes were written that way; others benefit from the “Creole” treatment.
Of course, the band’s trump card is the American clarinet virtuoso Evan Christopher whose passion for the New Orleans style of Sidney Bechet and Barney Bigard fuses beautifully with the Django set-up. On Saturday, he was in great form, whether playing finger-busting duets with Blenkhorn on Riverboat Shuffle, I Know That You Know and Feerie or seducing listeners with his passionate playing on such intoxicating Caribbean-tinged tunes as Tropical Moon and Passaporte ao Paraiso.

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