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Edinburgh Jazz Festival 2017: Tom Gordon 7 – Count Basie

Tom Gordon 7: Count Basie, Rose Theatre Basement *****
 
Drummer Tom Gordon has emerged in recent years as the go-to guy for a terrific Count Basie-themed gig. When his specially formed septet played the Edinburgh Jazz Festival a couple of years ago, it was a great concert with a horn section drawn from musicians who had performed in an Ellington tribute the night before.
 
The 2017 incarnation of the 7, as heard in the sweltering basement room of the new Rose Theatre venue, had an entirely different horn section – and, thanks in particular to the inclusion of the irrepressible English trumpeter Enrico Tomasso who is a veritable jazz dynamo, it was even more sensational than the last time.
 
Once Tomasso was unleashed for a solo on the opening number, the Basie theme, One O’Clock Jump, it was clear that we were in for a treat. The energetic trumpeter’s hot solo seemed to light a flame under the rest of the band; one which took hold properly about halfway into the gig when the cool, slick, sumptuous sounds of such classic Basie ballads as Silk Stockings and L’il Darlin’ gave way to a series of fiercely swinging numbers peppered with spicy, punch-packing solos from Tomasso and his fellow front-liners, Phil O’Malley (trombone) and – especially – Ruraidh Pattison (tenor saxophone).
 
Lady Be Good, Royal Garden Blues, Dickie’s Dream and Jumpin’ at the Woodside were all knockouts, with Ruraidh Pattison’s powerhouse, Illinois Jacquet-like, solos bringing the house down and the exciting little riffs cooked up by Tomasso to play with Pattison or O’Malley during solos helping to make this one of the best, most swinging, gigs yet in this year’s festival.
 
* First published in The Herald, Thursday July 20th
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