Fiona Alexander, one of the producers of the Edinburgh Jazz & Blues Festival, shares her memories of the event. She says:
“My very first brush with the Edinburgh International Jazz Festival was in the late 1980s when the Festival Club was in Edinburgh University Staff Club in Chambers Street. As a newcomer to jazz, I remember being amazed by all the music happening – three concerts running simultaneously on three floors with audiences moving from one space to another. I remember that I heard Lillian Boutté in my early days of jazz exploration and she made a huge impression on me – the musicality, the stories and the humanity.
“I started working with the festival in 1997. We wanted to develop it by adding more contemporary jazz, whilst retaining the established focus on traditional jazz and including the special musical collaborations only happening in Edinburgh. So the programme featured Acker Bilk, Bob Barnard, Kenny Ball and Carol Kidd alongside John Scofield and Gil Scott Heron. The festival also featured the Mardi Gras, Jazz on A Summer’s Day, a Gospel concert at St Giles, The Blues Festival at the Caledonian Brewery and a late night club with the Alex Shaw Trio at the Caledonian Hotel.
“One of the most exciting aspects of the festival is developing relationships with musicians and seeing the progress through the years – so the UK premiere for The Bad Plus took place at the Edinburgh Jazz & Blues Festival and they returned several years later with Joshua Redman playing one of the best concerts that I have ever heard.
“There’s a host of musicians who are informal friends of the festival – artists like Scott Hamilton, Ken Peplowski, Mr Sipp and David Berkman – who return to play regularly in new and different contexts. Some of the special collaborations have been very special indeed – the World Jazz Orchestra led by Joe Temperley, featuring Cecile Salvant, playing the music of Duke Ellington for example. The music and the atmosphere were electric. Tommy Smith and Courtney Pine both playing Coltrane – two very different approaches.
“Who have I been especially pleased to bring to Edinburgh? So, so many people. Hosts of international musicians like Christian Scott, Tia Fuller, Roy Hargrove, Ambrose Akinmusire, but also some really interesting smaller scale projects such as French pianist Baptiste Trotignon playing in Rosslyn Chapel, and young pianists like Aga Derlak and Enrico Zanisi. A host of Scottish jazz projects have been born at Edinburgh – New Focus (Konrad Wiszniewski with Euan Stevenson), Band of Eden co-led by Tom Bancroft and Laura Macdonald, and, coming right up to date, Alison Affleck with the all female Shake Em Up Jazz Band who are playing this year.
“Of course things can go wrong. When dealing with so many people there are inevitably lots of incidents, but one of the main areas of daily concern used to be musical instruments not arriving with bands – the frantic call-round to find a bass saxophone at 4pm for a soundcheck staring in 60 minutes, or I remember taking delivery of e.s.t’s double bass just five minutes before their concert started. Now we more often supply an instrument in Edinburgh for people to use.
“Of course lost luggage also relates to suitcases and clothes not arriving, musicians missing rehearsals and so on. Weather for the outdoor events also give us pause – strong winds affect the stage in the Mardi Gras, rain affects the Carnival. I remember one particularly inconvenient shower on the afternoon of a concert we had planned for Princes Street Gardens – it poured between 2 and 4 pm – then the sun came out and it was a lovely evening. However, we didn’t get the same walk-up and lost a significant amount of money.
“There are various ways in which the Edinburgh Jazz & Blues Festival stands out from other jazz festivals. There is no doubt that the range of music from 1920s to today makes our programme distinctive, as does our creative curation process – we present a lot of ONLY in Edinburgh concerts which we make happen just for the festival – so for example last year we offered 10 concert to Brian Kellock and asked him who he wanted to play with and then presented concerts with Fionna Duncan, The Ear Regulars, Liane Carroll and so on.
“As I hope you’ve gathered we are thrilled across the board – it’s as excting to present BIG Name X as to present a really exciting breakthrough artist and that’s because we love the music. So we are thrilled this year to be presenting the New Wave of Scottish Jazz – Mark Henry’s new commission, to present the first ever duo concert with Martin Taylor and Curtis Stigers and to have a new hub for the Festival with Teviot Row.”
* The Edinburgh Jazz & Blues Festival runs from July 13-22. Visit www.edinburghjazzfestival.com
Next: Norrie Thomson